I Infiltrate the Emo Kids Pt. 1

Last Wednesday I went along to a Denver concert featuring 30 Seconds to Mars, the favorite band of my good friend, Saskia. For those who are unfamiliar, "30STM" is helmed by an actor, Jared Leto. I was skeptical upon the first listen of their recent album, anticipating music on par with other celebrity bands like Keanu Reeves' BFS Dogstar and Russell Crowe's 30 Odd Foot of Grunts. Imagine my surprise to find that they weren't bad, and in fact, quite good if you like dramatic rock with a noticeable European industrial influence.
So I was looking forward to the show, a thought that was complicated for a few days after Saskia elicited an critical detail.
"By the way," she said, "it's going to be a Blood Ball."
"...and what's that?" I asked.
She replied that it was a 30STM tradition in which the attendees don white formal wear and proceed to cover themselves in fake blood. Those absentminded enough to forget their fake blood can pay a street team member to hose them down with it in a "Blood Booth".
I thought I'd roll with it. And really, that concept didn't repel me as much as the list of opening bands. More on that below.
Anyway, my friend channeled her enthusiasm into a certain dress she'd wear to this "Ball". At a costume shop she found a white lacey wenchy dress that she altered and customized for six hours on a sewing machine. She then threw on combat boots and fishnets to complete an ensemble that ended up catching special attention from the band.
Not to be outdone, I pulled together an emo disguise that was likewise flawless. I combed my bangs down flat and put on my black-framed glasses. Then I wore a white shirt and black tie, gray slacks, and white sneakers. And I'm skinny. Emo incognito.
When we'd reached the Fillmore Auditorium in Denver, Saskia and I shared a pang of terror when we didn't immediately spot any blood-covered emo kids in suits or dresses. Relief came when a couple punks strolled out of a nearby Wendy's wearing red neckties and black everything else.
My friend and I checked out the line. Half of it was comprised of teenage girls simply gothed out in black and wondering what the hell was wrong with the freaks on the other half. Being hungry, my friend and I held off on standing in line and went to do something about it.
At the aforementioned Wendy's, we chanced upon a couple chaps who were members of 30STM's street team, "Echelon". The both of them, the scrawny fella and the stocky one with a pompadour, seemed to have ditched school to come down here from Wyoming. In a magnanimous gesture, they offered to let us in the line with them and the rest of their group -- a half-dozen people from the very front of the line.
Once embedded, I was mostly reticent among the other 30STM fans. I had no idea what the kooky symbols meant, what any lyrics were from, or which episode of My So Called Life was Jared's best, and I wasn't going to hazard any guesses. Aside from the 25-degree cold, it was a pleasant experience with emo kids courteously swapping tubes of fake blood to liberally apply around the eyes, ears, hands, and neck.
Once inside, we were submitted to a battery of increasingly horrible openers, and most of the crowd would visibly share my sentiment about them. Saskia was distressed by the idea that her Jared Leto would inflict such bands on us. Assuming he was somehow responsible, I had two explanations.
A. While on a bender, 30 Seconds to Mars bought a set of refrigerator poetry magnets, and they flung the pile onto a fridge. Then they put on blindfolds and began mixing the words around in random clumps. The drummer, Shannon Leto, would then point to a clump and ask if it was a band name. That afternoon they called up Rock Kills Kid, Cobra Starship, and On the Receiving End of Sirens.
(Head Automatica came later when they mixed in the Latin set.)
B. It was a test. “How much do you love us?” asked 30STM, and the answer some gave was, “not enough.” I say this because a no-crowd-surfing rule was in effect, making the act punishable by ejection. And more emo kids rode to the front between sets — when no one was playing music – than any other time.
But many stayed. Once the openers had finished, Jared Leto could then emerge to a crowd that loved him more than they loved themselves, and that’s a situation that a powerful figure must always know how to create.
Here's a breakdown of the undercard:
Rock Kills Kid – The best of the worst. Generic 80’s synth rock, but agreeable. I grew to appreciate them as the night wore on. Initially, I was overexcited about their act because I heard someone mistakenly refer to them as Kill Kid Rock.
Cobra Starship – This is a band whose claim to fame is the Snakes on a Plane song.
I could move on from there, but one more thing: I hate it when a band’s hot chick also plays the band’s most obnoxious instrument. When she’s assaulting everyone with a keyboard guitar, my penis does not know what to do.
The Receiving End of Sirens – Not even the name prepares you to comprehend how powerfully dull this act is. Their songs, like an empty tackle box, had no hooks. Instead, they used their three guitars to put up a flat wall of noise behind which the two singers would alternately wailed out unintelligibly nasal lyrics. I spotted many other attendees texting friends throughout the set, perhaps concerning the temperature and Real World Denver.
Head Automatica – Somebody put a bug-eyed monkey in a suit and told him to grab the keyboardist's ass and sing through his schnozz. During this set, people around me took the time to compliment me on the fake blood I had around my ears and my eyes. I told them it was no longer fake.
Throughout all this, I was surprised that the emo kids shared my grimaces of pain and impulses to throw garbage. I thought this was the stuff they liked.
After an obscure, Stomp-like punk trio put on a short act, gyrating their hips and beating on some buckets and trash cans, out came 30 Seconds to Mars in blood-covered tuxes...
Labels: 30 seconds to mars, concert, emo



